For our master shot narrative, I was assigned the position of
director. One of my initial ideas was to try shooting in the Boseman Gallery
(or the Cultural Arts Gallery), but I had doubts about the legal issues and
after discussing it with the rest of the crew, we agreed it wouldn’t be
feasible. We then turned to my second suggestion, which was the Clocktower
Lounge. I thought it would be a good place to film because it’s indoors, which
lends to a higher degree of control, it’s very quiet depending on the time you
go, and the setting provides visual interest and a cozy feel. I also had the
idea of making it so that Bran and Park had never met, that Park is just a
normal student, and Bran is a borderline-crazy stranger. Lastly, I thought we
could use Park as the protagonist, bookending the film with shots of him to
create a cohesive product.
My Life as a Zucchini The first event we went to at Cucalorus was a 10:45 am showing of My Life as a Zucchini , a French stop motion animation, which was shown in Thalian Main Theater. The theater itself was incredibly striking, with the red-velvet covered seats, antique furniture, and colorful embellishments around the stage itself, such as the cherub painting on its ceiling. It made it so that the screening was more than the film itself; it was an experience that as a result heightened the respect for the film by nature of its surroundings. If we’d walked into a barren garage filled with metal fold-up chairs, we still would have appreciated the film, but I don’t think to the complete effect would have been the same at all. What I liked most about My Life as a Zucchini is that it is another step forward for animation as a mode for serious content, since it’s a medium that, in my experience, isn’t taken seriously at all by the general population (an animated film equals a kid film...
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