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Post #8: Editing the Master Shot Scene

Editing the Master Shot Scene was, of course, different from the documentary. We had many more cuts than in the documentary and had the extra-added concern of trying to match action and uphold continuity.
Even though the documentary was in parts when it went to editing, the main structure of it – the interview – was intact. The footage for the Master Shot Scene was in scattered pieces, with even the master shot itself not resembling the final product's effect. Editing made the scene slowly come to life. From the rough footage, it turned into a cohesive series of events, the titles helped it to seem like a unit, and the music infused the identity into the project.
While editing sometimes revealed problems we couldn’t recognize on set, it also was the time when our film really formed. We made changes to the storyboard throughout the project, modifying and moving things during editing beyond what we’d intended during principal photography.

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