Although I wasn’t able to make the first b-roll and vox pop shooting,
due to my evening art class, I was at the second (and final) b-roll shoot down
at the Phoenix Hometown Hires office. Shooting b-roll was a different
experience from the interview, where we had a specific, preplanned shot we
wanted to get. We definitely came to the b-roll shoot with ideas, but we were
able to look for things in the moment, things we might not be able to predict
or didn’t occur to us until we were collecting the footage and audio, such as
when church bells started ringing in the distance just before we started
recording ambient sound. We could experiment with angles, subjects, and
heights. “Wouldn’t it be cool if…” and “what do you think of…” were tossed
around as we collected instances from life, making our b-roll form from a more
organic shoot.
My Life as a Zucchini The first event we went to at Cucalorus was a 10:45 am showing of My Life as a Zucchini , a French stop motion animation, which was shown in Thalian Main Theater. The theater itself was incredibly striking, with the red-velvet covered seats, antique furniture, and colorful embellishments around the stage itself, such as the cherub painting on its ceiling. It made it so that the screening was more than the film itself; it was an experience that as a result heightened the respect for the film by nature of its surroundings. If we’d walked into a barren garage filled with metal fold-up chairs, we still would have appreciated the film, but I don’t think to the complete effect would have been the same at all. What I liked most about My Life as a Zucchini is that it is another step forward for animation as a mode for serious content, since it’s a medium that, in my experience, isn’t taken seriously at all by the general population (an animated film equals a kid film...
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